Entertainment Law Track: LL.M. in Entertainment, Arts and Sports Law

What is an “Entertainment Lawyer”?

At the core, an “Entertainment Lawyer” provides legal advice, counsel and representation to companies and individuals ("talent") in the entertainment industries, including TV, movies, radio, music, theater, publishing, digital media and video games.

Although entertainment lawyers might represent directors, actors or musicians, they more often advise companies that produce and distribute entertainment content, license celebrity brands, purchase and sell companies or music catalogues.

The areas of law most frequently associated with the field are intellectual property, contracts, corporate, employment/labor, securities, international, taxation, immigration, and litigation.

Why the Entertainment Law track within the Entertainment, Arts and Sports Law LL.M.?

Entertainment law is a demanding career that requires a firm grounding substantive law, and practical skills relating to the entertainment industry.

top 10 sealBy studying the entertainment track within the comprehensive EASL LL.M., it is possible for students to fully prepare for the practice of “entertainment law,” thereby giving them a competitive edge in the search for employment in the industry. In addition, llm-guide ranks Miami Law's program in the Top 10 in Entertainment/Media Law and #2 most popular program in the U.S. 

There is also a strong tradition of entertainment law at the University of Miami. The Entertainment and Sports Law Society(ESLS) is one of the most active student organizations and it has hosted an annual international symposium since 1997. Read more on entertainment law at Miami Law.

Courses and Requirements

The LL.M. is two semesters consisting of required and elective courses, and a practicum. All courses are taught by Law School faculty and prominent practicing attorneys.  The blended nature of the LL.M. enables students to maximize their studies and create a curriculum to match individual professional interests.

 See Requirements for International Students Who Plan to Take the NY Bar

International students have the option to do a special course of study in the LL.M. in Entertainment, Arts, and Sports Law to accumulate enough credits to comply with the State Board of Law Examiners’ requirements to qualify to sit for the New York Bar Exam. These students still complete the LL.M. in the same two-semester period and earn the same degree. If an international student does not want to take the N.Y. bar (or wants to take additional courses) he or she can use the additional courses for study of EASL electives of their choice.


Required Track Courses
Entertainment Law:  Motion Pictures and Television (2 credits)
Negotiating and Drafting for the Business of Entertainment I (2 credits)
Copyright Law (3 credits)
Trademark Law (2 credits)
Practicum (2 credits)
Required Elective Courses (that may be Substituted with Director's Permission):
Negotiating and Drafting for the Business of Entertainment (II) (1 credit)
Motion Picture Finance (1 credit)
Prerequisites: None

Required NY Bar Courses:
Immersive Introduction to American Law (2 credits)*
Legal Communication and Research I (2 credits)*
Business Associations (4 credits) ^ *
Professional Responsibility (2 credits)*

* This course complies with the State Board of Law Examiners’ requirements to qualify to sit for the New York Bar Exam.
 ^The requirement to enroll in Business Associations may be waived with the prior approval of the Director of the Program.
See more information for foreign lawyers on taking a U.S. Bar Exam.

 

See more information for international students interested in the EASL LL.M.

PREREQUISITES (4 of 6 required or equivalent): Administrative Law, Antitrust, Business Associations, Federal Income Tax, Labor Law, Trusts and Estates
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REQUIRED COURSES

Entertainment Law: Motion Pictures and Television - A survey of the intertwined legal and business issues encountered by transactional attorneys within the industry, with particular emphasis on theater, motion picture and TV.

Negotiating and Drafting for the Business of Entertainment - Introduces students to advising clients, and reading, drafting and negotiating contracts with application to mergers and acquisitions, venture capital, and private equity transactions.

Copyright Law - Addresses the legal protection provided under the Copyright Act of 1976 (and subsequent amendments) for artistic, musical and literary works (including computer programs).

Trademark Law - Introduces the legal protection under U.S. law for trademarks, service marks and trade dress; also covers related state and common law doctrines and relevant international agreements.

Practicum - Affords students the opportunity for additional training in the workplace. Placements have included: NBC Univiversal/Telemundo, HBO Latin America, BBC Worldwide Americas, Warner Music, Universal Music, Spotify, Ultra, Jazwares, Arsht Center for the Performing Arts, and more.
 

MIAMI LAW ENTERTAINMENT LAW CONFERENCE
Students in the program also attend the Symposium on Entertainment, Arts and Sports Law.

EXAMPLES OF ELECTIVE COURSE OPTIONS

Media & Entertainment in the Digital Age

Motion Picture Finance

Union Organizing and Collective Bargaining

Media Law

Intellectual Property: Transactions and Litigation

Immigration for Athletes, Artists & Entertainers

Legal Aspects of Television Production in Latin America

Media Distribution

Social Media and Online Liability

Vimeo, Twitter and Youtube: Online Liability and Net Neutrality

Taxation of Exempt Organizations

Miami – A Growing International Center for the Entertainment Industry

As a center of music and film and a hub for the Hispanic media industry, the city is fueled by an influx of international ideas and has witnessed the growth of both homegrown companies and international offices. These companies include Fortune 500 Latin American headquarters for: HBO, CAA, BBC, Nickelodeon, Discovery Networks, Sony, Disney, ESPN, Viacom. Students have access to this network with local mentors, practicums and externships.  

International Study Option: Global Sports and Entertainment Law Course 

2 logos, Miami law and ISDE

Offered in conjunction with the Madrid-based Instituto Superior de Derecho y Economía (ISDE), a leader in legal education, Miami Law offers a course for law students and professionals who are interested in broadening their understanding of the global sports and entertainment industries and provides an understanding of the differences and similarities between the U.S. and the international entertainment and sports law landscapes.

ENTERTAINMENT LAW TRACK LEADERSHIP & FACULTY

Harold FlegelmanTrack Director

Director Harold A. Flegelman, Lecturer in Law, was a partner in the Corporate Department and Co-Chair of Loeb & Loeb LLP Los Angeles Corporate Media and Entertainment Practice Group, regularly recognized by U.S. News & World Report as placing it among the "Best Law Firms."  While in private practice, he was engaged principally in advising clients in all legal and business aspects of the entertainment and media industries, including mergers and acquisitions, strategic alliances, venture capital, debt and equity financings, restructurings, business planning, executive employment arrangements and general corporate representation.


Ivy Kagan Bierman – Partner at Loeb & Loeb LLP in Los Angeles and one of a select few entertainment industry labor lawyers looked to for representation in guild and union matters.  She was recently selected by the Beverly Hills Bar Association as the “2015 Entertainment Lawyer of the Year.”

Michael Cheah – General Counsel of Vimeo, one of the premiere video-sharing websites. Responsible for leading the company’s public policy and legal compliance efforts.

Ana Francois - Faculty member at University of Miami School of Communication, Francois specializes in media management issues such as startups, rights management and valuations.

Mansour Ghomeshi - IP expert and VP and General Counsel at 360fly; previously lead IP counsel at Motorola and teaches course on Intellectual Property, Transactions and Negotiations. 

Vivek Jayaram - Intellectual property expert with years of experience handling complex IP and general business disputes for U.S. companies in state and federal courts and for several foreign businesses.

Professor Lili Levi teaches copyright law and international copyright law, defamation and privacy law; and prior thereto, was Broadcast Counsel at CBS, Inc. Her scholarship focuses on media and communications law.

Michael Olsen - Senior Vice President for Business Development at IndieBlu Music.

Hernán Pantaleón - Over 20 years' experience in art, entertainment, mergers & acquisitions, banking and finance; teaches courses on Legal Aspects of TV Production in Latin America and Doing Business in Latin America.

Henry W. Root - partner at Lapidus, Root & Sachrow, LLP with 30+ years of legal and business affairs experience in the entertainment, music, television and media industries. 

Jose Sariego – Partner at Bilzin Sumberg, specializing in International corporate and entertainment lawyer with more than 25 years experience.  He was previously the SVP– Business & Legal Affairs for Telemundo

Christine J. Vincent - Project Director for The Aspen Institute's Artist-Endowed Foundations Initiative who advises private foundations and nonprofits and educational institutions. 

Jaime Vining – Teaches Trademark and Advanced Trademark Law, and named a “rising Star” by Florida’s Super Lawyer Magazine since 2009.

See all Faculty

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